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My son runs these gaming tournaments in Boston and Seattle called PAX. He's the floor manager bringing up to 150 computers together in a gaming environment for people who pay about $150-1500 dollars each to be in the tourneys. My son chooses the games that will be played. The tourneys amazingly draw tens of thousands of gamers to each contest.
I've brought up the idea of remote operations before, whereas model railroad operations could very easily be tuned to become a competitive online experience...and we collectively have all the tools available to do it... To be honest, I just don't think the industry/community is interested in the things the young people are interested in, and a lot of young people don't want to have anything to do with a crowd of old people who look like their dad - and some of these young people are in their 40s... I do run into this sentiment when I talk about the subject at work.
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Regardless, he said he doesn't see how to keep it going for a very simple reason and that's money. He said that to build what I've done is an over 20K investment and it's far from thorough. He said just to buy an engine with no layout is cost prohibitive compared to gaming. He said gaming has the same sort of social interaction as Facebook stuff with next to no cost and that a $500 dollar layout is not going to be a good enough draw to do it. Even Bluebox kits are vanishing and $40 dollar RTR is what replaces it. That's not craftsmenship. He thinks facebook is zero calorie intimacy but kids are very different about intimacy than my generation and he posts a lot on his facebook wall anyway.
I kind of realized this myself after I sold a small pile of stuff on ebay, looked towards the closet and did the math... He's right about the cost of the online games, they cost nothing except time. Facebook only costs time. This hobby: Time, Money, Space, sanity...
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It is possible to play the operation game on a computer and skip the buying, building, problem solving that comes with the hobby. It also takes no more room than your computer. Now I am in favor of operation, but I also think you should build things to some degree not buy the ready to disassemble stuff.
These things that are important to you...are they important to young people? Why should they build something? My friend who does build stuff is now in Japan, building electronics. Every time he puts together a successful project, it becomes a crowd sourced product. It's a double satisfaction whammy for him...
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I think the group we are after in our hobby would be more akin to the chess team than the football team based on this group. Think of finding geeks (not meant to be derogatory). Some high schools will have clubs or a sponsor, another good source would be scout troops as well. Now I am not trying to exclude anyone based on what I saw but was just mentioning it to toss out another demographic to look at. One of the magazines used to have a section called student fare, I remembered reading that when I was not a fat old guy. Maybe Joe could start a section of the magazine tailored for the youth and new guys to the hobby. Links to it on the social media may bring folks to the magazine and then to the hobby.
And student fare went away for a good reason: the students stopped writing in. In this era, it's VERY easy for web natives to find what they're looking for without asking questions, and when questions are asked, it's on forums or facebook or in places far removed form both...
The question, though, is what will these kids be losing out on if they become model railroaders at this crucial time in their developmental careers? At 17, it'd be far more productive to be learning a programming language than it would be to learn how to use DCC. Or they could use that chunk of money to buy a car, and get some legs under them - or use their weekends to get a part time job. There is SO MUCH to do right now for young people...
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Well, I didn't mean it to be controversial but there are far more distractions now than when I was a kid in the late '50's and the distribution of disposable income is a lot worse.
You nailed the first point, but the second point...Young people have more immediately disposable money until they move out or go to college, and even then they're living on borrowed time. The bigger point here is that young people have SO many options for their money, it's very quickly spent.
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Anyway, rates of teen pregnancy are at or near historic lows, and continue to drop, suggesting the kids are considering retaining more disposable income for their train hobby rather than supporting their own children. Those kids are thinking ahead!
Yes, we're thinking ahead, which means we're usually using at least one if not two forms of contraceptive, and if that doesn't work, there's always Plan B if we know we screwed up and Plan A[bortion] if we find out there's a surprise a couple weeks later.
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I can't hire any of them long-term because they need to understand the hobby, the terminology, and have some modest modeling skills.
In my masters program I took a management course where we discussed a matter of anchors, these qualities we hold dear to because we think we HAVE to have them, when in reality, it's only a psychological misconception due to our frame of reference, our personal preferences, or because it's our own background. An example would be saying the car I am going to buy HAS to be red, and then when all the cars are white, black, blue, or green, complaining that there are simply no cars to buy. In truth, there are cars to buy, I'm just hung up on that one quality that artificially limits my choices. I remove the anchor, poof, there's a car I can buy, LOTS of cars I can buy. Or maybe there IS a red car, but it is much more expensive or much more broke than the others, but I buy it anyway and then complain about how it was all I could get.
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These are behind-the-scenes people I'm talking about, as opposed to on-camera. I have found through experience that both those on-camera and behind it need to know the difference between an SD40 and a GG1. Very little of our content is scripted, and the material that is will sometimes be edited on the fly just before cameras roll. Everyone involved needs to know their stuff.
Where it really becomes an issue is in the editing stage. When someone is talking about scratchbuilt structures on their layout we can't be showing a shot of a Walthers kit, for example. Someone outside the hobby won't know the difference. We've all seen that kind of error in mainstream TV. We absolutely can't fake it on TrainMasters.
Simple Fix: Separate script from video. Sit a content expert down with the video after it has been shot and cut to write and record the script. Dub the script in.
In other words, you're asking for the sky when all you need is light. Behind the scenes, how many of those people in the credits of movies are actual subject matter specialists for the movies they make? Usually, NON of them! They simply know how to do their skill, and they do it well! Hire a production expert, not a model railroad expert, and teach them what to look for. They'll get the shot you want, you take care of the rest.
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One thing I can tell you is that I've run across a lot of 20-somethings who are in the video-production business that I would hire full-time in a heartbeat to help produce TrainMasters TV
Then HIRE THEM!
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On the other hand, we have a college in town that churns out two dozen broadcast-TV graduates every year.
They need experience, you need proficiency. At the same time, they're likely gunning to aim for bigger and brighter stars on the horizon - but they can't until they get real experience under their belts. So get with the college and find out what it would take to offer a couple internship seats for seniors. Or put out that job listing and HIRE that one person with the idea in the back of your mind that in two to five years, this person is going to move to a new job with better pay in a better city with options you'll never be able to compete with. That's what we do!
But this rotation of staff will be great for you and for TMTV - why? First, you will learn how to train people with no modeling experience how to get the shots you want. It will keep you fresh in honing their production skills, which ultimately shows in the final screening. They don't need to know if it's a GG-1 or a SD-7, they just need to know how to produce a quality screen image, what you want in the shot, and how to follow your direction to get exactly what you're looking for. This may mean you'll have to work on your communication skills, but it will make you and them better at the profession!
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But for now, we should enjoy what we have and be more concern about the present. None of us are fortune tellers but for now we can start working on our layout so that we can run our trains in the future.
Wisest words spoken all night...